Year
2021Credit points
10Campus offering
No unit offerings are currently available for this unitPrerequisites
NilTeaching organisation
3 hours per week for 12 weeks or equivalentUnit rationale, description and aim
This advanced-level unit is offered as a fully online unit. It provides the context for an in-depth study of music including consideration of diverse styles, genres, specific periods, composers/practitioners, and culturally significant major works. Students will be exposed to a range of modes of musicological research such as historical musicology, ethnography, style and style-change studies, biography, culture theory, and structural analysis. Students will be guided to develop musicological research skills around reviewing literature, formulating research questions, gathering and analysing data, exploring theoretical frameworks and employing diverse methodology. Students will also gain an understanding of the limitations of various modes of music research.
Learning outcomes
To successfully complete this unit you will be able to demonstrate you have achieved the learning outcomes (LO) detailed in the below table.
Each outcome is informed by a number of graduate capabilities (GC) to ensure your work in this, and every unit, is part of a larger goal of graduating from ACU with the attributes of insight, empathy, imagination and impact.
Explore the graduate capabilities.
On successful completion of this unit, students should be able to:
LO1 - Critically evaluate current knowledge and scholarship in music research (GA4, GA5, GA7, GA8, GA9)
LO2 - Explain the cultural forces that have shaped different understandings of diverse musics (GA1, GA3, GA4, GA5, GA8, GA9)
LO3 - Formulate research in the field of music (GA3, GA4, GA5, GA7, GA8)
LO4 - Formulate and communicate research findings in writing and verbally (GA3, GA4, GA9, GA10)
Graduate attributes
GA1 - demonstrate respect for the dignity of each individual and for human diversity
GA3 - apply ethical perspectives in informed decision making
GA4 - think critically and reflectively
GA5 - demonstrate values, knowledge, skills and attitudes appropriate to the discipline and/or profession
GA7 - work both autonomously and collaboratively
GA8 - locate, organise, analyse, synthesise and evaluate information
GA9 - demonstrate effective communication in oral and written English language and visual media
GA10 - utilise information and communication and other relevant technologies effectively
Content
Topics will include:
- Diverse modes of musicological research such as historical musicology, ethnography, style studies, culture studies and advanced music analysis.
- The nexus between music practice, music research, style change and broader cultural issues such as cultural appropriation
- The mechanics of musicological research including reviews of scholarly literature; approaches to the use of primary source material; the formulation of research questions; issues of methodology; and an introduction to influential theoretical frameworks in contemporary musicological discourse
- Bibliographic citation and referencing, including specific music sources
- Techniques for analysing representative music works and scholarly articles
Learning and teaching strategy and rationale
MUSC336 is an advanced level unit in which students are guided to develop musicological research skills. For this reason, the unit adopts an enquiry-based learning approach in which learning is driven by a process of inquiry owned by the student. Students are guided to identify their own issues and questions and to examine resources in order to bring together and analyse relevant data.
Assessment strategy and rationale
A range of assessment procedures is used to meet the unit learning outcomes and develop graduate attributes consistent with University assessment requirements. Such procedures include a seminar presentation in which students outline a research proposal, writing examples that include drafts of scholarly writing, and a major essay that reports on individual research.
As a fully online unit at “300” level, it requires students to research and work independently on a chosen project with guidance from the lecturer-in-charge of the unit. The major project/essay is the culmination of work undertaken during the semester and the seminar presentation and online test form part of the scaffolding of the unit.
Overview of assessments
Brief Description of Kind and Purpose of Assessment Tasks | Weighting | Learning Outcomes | Graduate Attributes |
---|---|---|---|
Seminar Presentation via an online forum or similar platform Requires students to present a research proposal for approval. An online medium is used. | 25% | LO1, LO3, LO4 | GA3, GA4, GA5, GA7, GA8, GA9, GA10 |
Writing Task Requires students to express current knowledge and scholarship in music research through scholarly writing | 25% | LO1, LO3 | GA3, GA4, GA5, GA7, GA8, GA9 |
Major Project/Essay Requires students to research a selected aspect of music history, and/or music repertoire, and/or music practice and write a scholarly and appropriately documented paper on the topic. | 50% | LO1, LO2, LO3, LO4 | GA1, GA3, GA4, GA5, GA7, GA8, GA9, GA10 |
Representative texts and references
Beard, D., & Gloag, K. Musicology: The Key Concepts. Abingdon: Routledge, 2005.
Bellman, Jonathan. A Short Guide To Writing About Music. 2nd ed. London: Longman, 2006.
Clayton, Martin, Trevor Herbert, and Richard Middleton, eds. The Cultural Study of Music. 2nd ed. New York: Routledge, 2011.
Gottlieb, Jane. Music Library and Research Skills. Upper Saddle River: Pearson Prentice Hall, 2009.
Hanning, Barbara Russano. Concise History Of Western Music - Fifth Edition. New York: W. W. Norton, 2014.
Herbert, Trevor. Music in Words: A Guide To Researching And Writing About Music. New York: Oxford University Press, 2009.
Shuker, Roy. Understanding Popular Music Culture. 4th ed. Abingdon: Routledge, 2013.
Stefanija, Leon, and Nico Schuller. Approaches to Music Research. Frankfurt am Main: Peter Lang, 2011.
Weiss, Piero, and Richard Taruskin, eds. Music In The Western World: A History In Documents. New York: Schirmer Books, 1984.